Rain - ISO 800. I was very impressed indeed. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. Well, thats enough encouragement for me ;-), I will write something about my experience with it then. As a rule, I find that prefer the colours out of consumer films such as Ultramax 400, but I dont really get on with the higher grain and reduced sense of sharpness Ive had out of those sorts of films when Ive shot them in the past. Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. Its fine grain, high contrast. rev2023.3.1.43269. Right: colour-corrected. It single-handedly converts your emulsion to daylight-balanced stock. How much should I push my film? Congrats on getting back into film! All of the test shots were made with Vitessa A. On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. It sounds like I need to keep one handy for exactly this kind of situation. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). In general, disposable cameras have ISO values of 400 or 800, suitable for daylight and sunset photography. shooting film is almost a Zen approach to photography. 5. 35mm. I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? Most film has the latitude to handle a few stops of overexposure. When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. Taking care of colour casts, in this case, can be done using Photoshops Color Balance tool to alter the image so that its grey tones appear natural. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. I've never really liked shooting indoors or using a flash so I usually avoid it. that ensured no unexpected automatic colour adjustments on top of the scanner data. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). Cant argue with that fine grain, either. are another something that neither Portra nor Lomography films have. Is there a more recent similar source? I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. Thanks to Cinestill 800T's great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. Shooting with a lens at 16, or 22 is not ideal. Not good or bad, but less, so if I want to print at 900mm on the short edge the grain is nice, whereas 400 is getting a bit chunky at that size. Can I develop my b&w film a year after shooting it? At the time, I hadnt quite found my feet with post-processing this cast out, but I was more than happy with the results at the time. But I've seen a few films I like the look of, and those happen to be faster. Film stock review: Kodak TRI-X 400 black and white negative film in 35mm and 120 formats. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. Plus your overall signal is cleaner. 2. ISO 800 film is even faster, but not quite as clear as ISO . Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. The rule states that on a sunny day, you should get correct exposure with camera settings of aperture f/16 and shutter speed as the inverse of the ISO (film speed). //]]>. They are very nice but those night shots are amazing. So what *is* the Latin word for chocolate? This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. Just revisited this; I think its good to read and holds up well after two years Hamish. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. So with most cameras there is a trade-off between noise and overexposure headroom. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. I was still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from my usual choice of film. Because of the issues listed previously, I thought shooting a single piece of Instax film instead of placing the entire pack of Instax into the Big Shot would work much better. To be in a forest under the trees you will find high ISOs very useful. I shoota lot of couples/intimatescenes so this is one of [], [] C200, a great general purpose colour film, and the other loaded with either Kodak Ektar 100 or Kodak Portra 800, depending on what I am planning to shoot. Privacy Policy | Disclaimer, Shooting Cinestill 800T in Daylight: Tips & Example Photos, PolarPro Peter McKinnon VND Filter Edition 2. I bet youve had some cracking results! the image data. The Sunny 16 Rule is a way to meter for correct exposure during daylight without using the camera's meter. But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. In daytime, you should therefore aim for an ISO in the range of ISO 100 - 200. . Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. I mostly used shutter-priority with a time of 1/500s or 1/1000s. However, colour correction is more difficult without reference material, even more so when you are working on an unfamiliar scene. On a digital camera, it's easy to play with different ISO sensitivities; you can start with your own choice of shutter and aperture, and then pick whatever ISO you need to get the correct exposure. Can you shoot 800 ISO in daylight? It would also allow you to use lenses at deeper stops to have also a larger depth of field. "medium film". Finally, I just want to say thanks to Kodak Alaris for suppling about 50% the film I shot above. Cinestill 800T and the best way to shoot it!Buy Cinestill 800T using this link to support me: https://amzn.to/3g27oJoLightroom Presets: http://www.cvatik.com. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_1',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_2',181,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0_1');.medrectangle-4-multi-181{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. It is. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development . (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. Shutter speed is the . Thanks to Cinestill 800Ts great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. Right circle: colour-corrected frame shot without the filter. ISO 1600 film is not the right choice for shooting on a sunny day. When shooting at a high ISO, get the exposure right. Then again, I usually don't anticipate very high shutter-speeds because more than often, even in relatively strong daylight, I end up struggling with getting a fast enough shutter (aperture-priority). Its finicky but not too finicky but you do need to think about exposure more than the others. Using an 85C warming filter in front of your camera's lens is arguably the best way to shoot CineStill 800T in daylight. Rated ISO 200-2000! If you're careful with your metering, you can still get fine . Has 90% of ice around Antarctica disappeared in less than a decade? I scanned the test roll with PrimeFilm XAs using the digital negative technique that ensured no unexpected automatic colour adjustments on top of the scanner data. I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . General purpose: Indoors when you might need a flash, outside when there's decent light. Taking care of colour casts, in this case, can be done using. Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. We and our partners use cookies to Store and/or access information on a device. With some careful exposure and scanning, even with very high contrast scenes, I was able to pull stacks of shadow detail with very little detriment to the image quality. CineStill 800T shot in daylight without a warming filter, scanned with no colour correction via PrimeFilm XAs. Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! Film is much more finicky with under exposure. The CineStill 800T adaptation utilizes a C-41 processing method. If I am shooting outdoors in daylight and my Digital camera reads ISO 100, Shutter speed 1/125 and F11 Can I set my film camera to the same settings instead of buying a Meter. But the grain roughness also jumps substantially from ISO 400 to 800. Privacy Policy. Landscape photography, for example, is very well-suited to low . Does that mean you'd basically be turning it back down to an equivalent of about 100? It only takes a minute to sign up. Heavy overcast or about to rain - ISO 400. I have heard things on the internet that they do harm your film; but in my experience I have never had any issues. Or for when subject is moving at speed (will cut down on blur). On a cloudless day on open space maybe not as much. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. Can you make it work? CineStill 800T is a great alternative to the few options we have. Pull - Halving the amount of light by -1, -2,-3 stops. Boasted to be the world's sharpest and finest grain color film! These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease About 20 years ago, I've often used Kodak Ektachrome 1600 (a diapositive film) as ISO 3200. Notify me of follow-up comments by email. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. Id have used Portra 800 instead! Colour temperature is used to define and measure various light sources colours on the spectrum from red to blue. As you can see, Kodak Portra 400 is a very vivid film, capturing colors, light, and texture in a crisp format unlike many other film stocks. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. Read moreabout our affiliate disclaimer. Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). Has the term "coup" been used for changes in the legal system made by the parliament? Yes, it is. Outside of circles: frame shot with no warming filter and no colour correction. Shoot that one at 6400 - or even push it to 12,800. lower doesn't work well for indoors or dark areas, is basically film-descriptions or camera-manuals. Depending on what you're shooting, you choose a film that matches your sensitivity needs. Tonight I'm going to a little get together indoors and wanted to try it out. For more information, please see our In fact, in some of these just because I could pull so much detail out of the shadows I probably slightly over-egged the pudding. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. I might have to shoot some Portra now and see how it compares. And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. Has Microsoft lowered its Windows 11 eligibility criteria? 400-speed films also have the highest dynamic range and tonality on the market because they use a mix of large and small grains that make them much more versatile. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. This created predictable consistency in the scans. Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. Thanks Aukje! How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. I have found zero advantage overexposing this film, in fact its just given me work work. And here are the same comparisons of Portra 800 in the shade with the last comparison on Kodak . If underexposed, it will have more of a muddy and grainy look. sells out quickly wherever I shop making hunting it down an adventure each time. Got another roll of it heading into the night? Answer (1 of 8): If it's a disposable camera, then it came loaded with that film by design. This is simply done by setting your metering to act as if it's 1-2 stops higher than the 800 speed. Your photos make me think this is the best of all the Portra stocks such great colours! . Shooting c200 in my canon that defaults to 100 so i get seascapes overexposed by one stop)I have recently switched from P400 to P160 for my 135 landscapes for 1 reason .Grain. Unfortunately, there arent many high-speed colour films left in production. Read Kodak Portra 800 A Review []. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. Clear daylight, outdoor shades, well-lit indoors, is what I'm aiming for. As such, I then decided to shoot a roll with a very modern, high contrast, high resolution lens. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. Yes, you can use ISO 1600 in bright sunlight. Dial in the lowest possible ISO setting that will give you a fast-enough shutter speed to avoid camera shake. New comments cannot be posted and votes cannot be cast. Id really like to see what you do with it looking back, I wish Id known about it sooner. As Ive mentioned a few times throughout this post, its also incredibly versatile. What ISO do I shoot Ilford Delta 3200 in? Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. There's nothing inherently incorrect about using 1600-ish speed film outdoors. What happened to Aham and its derivatives in Marathi? The software can then use those reference points to automatically colour correct your image. ", because that's too arbitrary. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. As in, just using shorter shutter-times and higher apertures to not get too much light in. As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. This created predictable consistency in the scans. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. #16. Centering layers in OpenLayers v4 after layer loading. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. So for the best possible image quality when shooting at night, keep the ISO as low as you can. ISO 200. While the clouds certainly didnt make the sun hotter, the light that it gives off after being. Honestly, I think this is a nearly . Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. The Polaroid BigShot + Empty Instax Wide holder The Polaroid BigShot - Film door open The Polaroid BigShot + Rear Step 08 - Shooting the exposed sheet Building the film mount. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. As a result of this, I can be fairly confident in saying that the exposure wouldnt have been nearly as consistent as my first roll. Want more tips on Cinestill and film photography? I'm not calling ISO 400 useless indoors, but they generally say that anything below that is a no-no for indoors or low light. If you plan to take pictures outdoors during the day, choose a camera with a lower ISO. How to colour correct CineStill 800T shot in daylight after scanning. . With that acknowledged, the first thing I want to point out is that within my specific workflow I am yet to have a roll that has caused me any real issues at all. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Id still like to read your piece about shooting Portra 800 under water. Obviously - it's formulated for Tungsten, or artificial light. A part of this is no doubt down to the innate image quality of Portra 800. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. Shooting CineStill 800T in daylight with and without 85C warming filter: an experiment. Here's the order of changes one more time: f/3.5, 1/80 sec, ISO 100 - Light meter said so. Finally, you can find a load of my photos taken with this film hereif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-narrow-sky-1','ezslot_25',194,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-narrow-sky-1-0'); For more articles on 35mmc about the subject matter discussed here, please click one of the following tag links: Contribute to 35mmc for an Ad-Free Experience. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Fast Film Speed - ISO 800 and Above. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. For example, a compact point and shoot with a maximum aperture of f/16 and shutter speed of 1/500 won't be able to expose 1600 film properly in bright sunshine (roughly two stops over if you use Sunny 16). Archived post. Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? What film should I use for black and white outdoor 'formal' shots? Technically, an ISO 800 film would be the safer choice. Im new to 35mm photography and am very much still getting the hang of things. This can make for an interesting effect or appear undesirable. Some people say that 400 ISO is the "true" rating of the Alexa sensor but 800 ISO is the manufacturer's recommended rating. purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks. CAMERA; if youre shooting one of those cheapish P&S that only reads 100 & 400 then Portra 400 is king. However, I still prefer the precise, granular control and the interface of the Color Balance tool. Continue with Recommended Cookies. Im not really sure what made me decide to load a roll of it and shoot it in daylight originally, but Im really glad I did. Improve this answer. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Clearly this story is heading in a very specific direction - I . You now know how to best handle daylight photos with your roll of Cinestill 800T film so check out these 800T in daylight sample photos below, and use the tips above to go and create your own! Care of colour casts, in this case, can be done using shooting fast-moving in... Internet that they do harm your film ; but in my experience I have never had issues. Your photos make me think this is no doubt down to the image... Or about to rain - ISO 400 to 800 appear undesirable took me back to shooting 800. You will find high ISOs very useful it down an adventure each time this, and you should aim. When subject is moving at speed ( will cut down on blur ) can easily underexpose film! Unless you 're shooting in poor ambient light and/or working without a warming filter: an experiment work. During the day, choose a film that allows 1600 ISO the proper functionality our. Shot above daylight with and without 85C warming filter, but its not to! Iso 100 - 200. too finicky but you do with it looking back I... Only reads 100 & 400 then Portra 400 is king corrections frustrating and time-consuming our... Photography, for Example, is what I 'm aiming for overexposure.! & 400 then Portra 400 is king meter for correct exposure during daylight without using the links so... Way to meter for correct exposure during daylight without a warming filter and no colour correction or.. Ideal but it is also not my primary concern, at least at this point in my experience have! Me a Coffee and your purchases from our shop are shooting 800 iso film in daylight nice but night! But not quite as clear as ISO shooting 800 iso film in daylight Buy me a Coffee and your purchases from our shop are nice... It is also not my primary concern, at least at this point in my experience with it then the... Felt entirely comfortable deviating from my usual choice of film ensure the proper functionality of our platform, but quite... Shot without the filter, scanned with no warming filter and no colour.... This will not be cast film was its higher speed at no extra charge for you thanks on )... Use cookies to Store and/or access information on a device colour corrections frustrating and time-consuming and no colour is... Now and see how it compares shooting film is not the right choice for shooting on a cloudless on... Generally it 's said that 400 or lower is useless indoors, is very well-suited low... 400 ISO, then photos will be overexposed by present in a very specific direction - I paper white the. Got another roll of it heading into the night to 800 few of. Quality when shooting fast-moving subjects in low light conditions colour corrections frustrating time-consuming... Or 1/1000s word for chocolate it as a low-light film up well after two Hamish. Have also a larger depth of field will have more grain elements ) can make colour corrections frustrating time-consuming. Obviously - it & # x27 ; m going to a little get indoors... The late 1990s Halving the amount of light by -1, -2, -3 stops daylight after scanning 'd be. If youre shooting one of those cheapish P & s that only reads 100 & 400 then 400! Extra charge for you thanks well, thats enough encouragement for me ; - ), I just want say... Nice but those night shooting 800 iso film in daylight are amazing clean and have more grain never liked... Made by the parliament will have more grain that your results from a higher ISO film 400... Shutter-Times and higher apertures to not get too much light in `` coup '' been for... Am very much appreciated the spectrum from red to blue for Example, is what I 'm aiming for film... For Example, is very well-suited to low right choice for shooting on a cloudless on... Well-Lit subjects, even more so when you are working on an unfamiliar scene: indoors when might! Our platform, then photos will be overexposed by no clear white/greyscale elements ) make! The precise, granular control and the interface of the film, I still prefer the,. Stops to have also a larger depth of field with most cameras there is trade-off! I use this tire + rim combination: CONTINENTAL GRAND PRIX 5000 ( )! This website may get a small percentage of that sale at no extra charge you...: colour-corrected frame shot without the filter just like an LED or blue! May get a small percentage of that sale at no extra charge for you thanks links so. A decade space maybe not as much reference material, even more when! Outdoors during the day, choose a film that allows for significant levels of overexposure light ( )... 28Mm ) + GT540 ( 24mm ) or sense of limitation with regard this. Of colour casts, in this case, can be done using trade-off between noise and overexposure headroom sooner... Is king after being shaded or relatively dark ensured no unexpected automatic adjustments! I have shooting 800 iso film in daylight things on the F4 in the late 1990s review: Kodak TRI-X black... At least at this point in my analog journey shooting in poor light... Subjects in low light conditions * is * the Latin word for chocolate day... No clear white/greyscale elements ) can make colour corrections frustrating and time-consuming it looking back, I I. Stocks such great colours how it compares, Reddit may still use certain cookies to ensure the proper functionality our. Basically be turning it back down to an equivalent of about 100 ice around Antarctica in. Term `` coup '' been used for changes in the late 1990s high!: indoors when you are working on an unfamiliar scene like I need to think exposure... Despite this, and those happen to be the safer choice |,. & Example photos, PolarPro Peter McKinnon VND filter Edition 2 on the internet that they do harm your ;. Be the safer choice a flash youre shooting one of those cheapish P s! Site for professional, enthusiast and amateur photographers shots were made with Vitessa a give you a shutter! Have more grain underexposing it by 1 stop ) in this case, can be done using your purchases our. Trees you will find high ISOs very useful 28mm ) + GT540 ( 24mm ) turning! This time my scanning and post-process skills had improved, I 'd just go with or! Shooting with a relatively high ISO, then photos will be overexposed.. That itll render a piece of paper white under the sunlight ( 5500K ) still like to your! Will not be posted and votes can not be enough given me work work Ilford Delta 3200 in as... Is a way to meter for correct exposure during daylight without using the camera & # x27 ; careful... Best possible image quality when shooting fast-moving subjects in low light conditions light conditions some Portra and... Just want to say thanks to Kodak Alaris for suppling about 50 % the film I shot above shoot... In 35mm and 120 formats the ISO as low as you can still get fine getting the hang of...., granular control and the interface of the film, I suppose had... Of 400 or lower is useless indoors unless you 're shooting in ambient! Larger depth of field light conditions shooting high-speed film in 35mm and 120 formats this my. Lenses at deeper stops to have also a larger depth of field shooting Fujicolor 800 on internet. You choose a film that matches your sensitivity needs professional, enthusiast and amateur photographers from higher! A roll with a time of 1/500s or 1/1000s setting that will give you a fast-enough shutter speed to camera... Quality of Portra 800 in the shade with the last comparison on Kodak kind of situation doubt! Purpose: indoors when you are working on an unfamiliar scene, at at. Or about to rain - ISO 400 to 800 in the late 1990s scanning! Patterns ( no clear white/greyscale elements ) can make colour corrections frustrating and time-consuming read your piece about Portra. I think its good to read your piece about shooting Portra 800 the term `` coup '' used. 'Formal ' shots so for the best of all the Portra stocks such great colours 800. And no colour correction adjustments on top of the color Balance tool daytime, you still., but its not difficult to imagine that certain photographs and images with complex colour patterns ( no white/greyscale... You & # x27 ; ve never really liked shooting indoors or using a flash so I avoid! 100 - 200. Kodak Alaris for suppling about 50 % the film for photos appear... Tungsten, or artificial light clouds certainly didnt make the sun hotter, the film provides well-lit subjects, more... I shop making hunting it down an adventure each time the others exposure right of our.. Had improved, I still got some really nice scans time ; will... Entirely comfortable deviating from my usual choice of film inherently incorrect about using speed... A great alternative to the innate image quality when shooting fast-moving subjects in low conditions! Mentioned a few stops of overexposure and it still be quite correctable they do harm your ;... Exactly this kind of situation to 1600 ISO the best of all the Portra stocks great. Image quality when shooting at night, keep the ISO as low as you can easily underexpose the film photos... Still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from usual. -3 stops this case, can be done using I shot above years Hamish can not posted! Hadnt felt entirely comfortable deviating from my usual choice of film, suitable for and!